Facets of a Muse

Examining the guiding genius of writers everywhere


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Good intentions gone where? Take 2

In case you were wondering (okay, you weren’t wondering, but I’ll tell you anyway), I’m keeping up with my NaNoWriMo quotas. I’m actually a little ahead, so I’ve got a bit of a cushion.

No thanks to my Muse. Boy, when I see him again …

My writing office door whooshes open, and my Muse makes his entrance complete with Ghirardelli chocolates in one hand and Schell’s Firebrick lager in the other. What? No Moon Man?

He’s wearing the burgundy Henley shirt I so love, sleeves shoved halfway up his forearms. Well-worn jeans–in every sense of the adjective–complete the ensemble. He deposits the treats on my desk and sets a hip on a corner, flashes a lopsided smile. “Before you ask, love, no, I didn’t bring Moon Man. I’m saving that for when you hit fifty thousand words. How’s it going?”

Ahem. “Fine, no thanks to you.”

“Me?” he says, all innocent-like. “You do remember the part where I hit you with a brilliant seed for an urban fantasy, right? Got your creative fires lit.”

I plant fists on my hips, remember the disaster I avoided, and try to stay indignant. “Yeah. You gave me the first five lines. That’s it. And guess what? I managed about 7500 words before I gave up and went back to Book 2.” I’m counting those 7500 words, damn it. “Don’t do that again.”

His eyes widen. “What do you mean?”

I need time to tumble a novel-length idea around in the ol’ noggin. “I told you I hadn’t thought about that story AT ALL. At the very least I need a direction. Hell, I didn’t have a story goal. I didn’t even have a name for my main character when I started. Where was I supposed to take the characters? I had no idea, and day one of NaNo is so not the time to jump into a story like that.”

I’m fired up now. “I tried. For four days I tried to come up with some sort of plot, something besides a character without a name and the first five lines.”

“Yeah, you did. And you wrote scenes for that story for those four days.”

“No. I wrote three versions of the same freaking scene.”

“You wrote five scenes, love. And got some backstory put together.” He waves a finger at me. “You named the main character and her best friend. And you got as far as the mysterious-but-handsome stranger.”

“Not the point.” I have to pace. “I can’t believe I listened to you. I can’t believe you did that to me.”

He stands and blocks my path. “Are you blaming me for getting you fired up to write? What part of Muse with a capital ‘M’ don’t you understand? It’s my job, love.”

“I’ve got two stories to write. One is book 2, the other is my rural mystery.” I shake my head. Frustration tightens my shoulders until the back of my neck aches. “Why couldn’t you hit me with a brainstorm about those stories instead of something completely different? I could’ve spent four more days on the stuff I’ve got some sort of a road map for.”

“Because you were already spinning your wheels on those. I knocked you loose, didn’t I? That’s what you needed.” He rocks on his heels, arms crossed on his oh-so-fine chest. “You’re rolling fine now, aren’t you?”

Grrr. He’s right, but if I tell him, how much worse will he get? I mean, he already thinks pretty highly of himself. Then again, …

“Julie?”

“Yes, fine, I’m rolling.” I throw my hands up. “There. Happy?”

His grin brightens. “Yep.”

“Don’t hurt yourself patting your own back. I’m at the end of the section I’ve got laid out, so you’re going to have to stick around to help me. And no urban fantasy stuff.” Although I will keep that story around. I’ll figure out the rest of it. Eventually.

He drops an arm around my shoulders. “You take all the fun out of it, love, but I’ve got you covered.”

Uh-huh. Anyway …

It’s past halfway for NaNo, and I’m doing okay. Planning for progress this weekend, since next week is Thanksgiving already. Man, I cannot believe how time is flying this year! A long weekend next week, so hopefully I can get within spitting distance of 50k. The book won’t be done–it usually takes me six weeks to complete a draft–but 50k is a pretty solid chunk of it. Then set that aside and work on my other story.

Yep, my Muse got the fire going. Man, that creative burn sure feels good!

Have a great weekend, and keep writing!

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And then it hit me

BAM! A brand new, never-before-imagined idea blasts through my brain.

Oh. My. Gawd.

Seriously? Is this real?

My Muse straightens to his full six foot-two height. If he leans forward, I think our foreheads would collide. “You have a problem with this, love?”

The storm is still rampant in my brain. Quick, I need a notebook. Damn. “Well, yeah. I mean, I should be working on Book 2. It’s NaNo, and my opportunity to re-draft …”

He rests a hand on my shoulder. “And how’s that been working for you?”

“Ahh, not well. I’m still not feeling it, but it’s only the first week.”

“Right. So, here you go.”

I shake my head and retreat to pace my writing office instead. “It’s a whole different genre. I haven’t written urban fantasy before. My agent doesn’t rep urban fantasy; the only fiction she reps is mystery. That’s a whole month of working on something that isn’t a genre my agent could rep. If I’m not working on Book 2, I should at least be working on my rural mystery.”

My Muse leans back against my desk, arms crossed on his oh-so-fine chest. “Uh-huh. You’ve been mulling that one for years. And you wrote that Irish contemporary fantasy. Some would call that urban.”

“Only because it wasn’t epic or traditional fantasy. I’ve still got an epic fantasy book I need to finish.” I can’t believe this. “I can’t spend thirty days writing something I haven’t thought about before. I don’t even know where I’d go with it. I’m not a pantser. At the very least I have to noodle on it for a while before I start writing anything. That’s thirty days I could–should–be working on Book 2, or my other mystery.”

“Other writers who write multiple genres often have multiple agents for the different genres. You know, a romance writer who also writes mysteries or fantasy. They have one agent for the romances and one for mysteries.”

I stop. Stare at him. “Not the point. It’s THIRTY FREAKING DAYS. I need to work on—”

“Don’t raise your voice, love. I’m standing right here.”

“Have you seen the urban fantasy market? You can’t go anywhere without tripping over a book about were-whatevers, or vampires, or gargoyles, or dragon-shifters, or hell, angels and demons. It’s saturated.”

“Uh-huh. And how far can you go before you hit a wall of mysteries? It’s the second biggest genre behind romance.”

“But there’s a ton of subgenres in mystery. Crime, noir, historical, cozy, detective, police procedural, oh my gawd. Lots of people read mysteries.” I start pacing again. “I can’t believe you did this.”

“You feel it though, don’t you? That pull. That burn to write. I know you do, love.”

Damn it. I hate it when he’s right. “That’s THIRTY DAYS I won’t be spending on the stuff I should be writing.”

He raises a finger. “Aha. Did you hear yourself? You said ‘should’ be writing. You should be saying ‘need’ to write. Hear the difference? Which story do you need to write?”

I shake my head. “The big thing now is diverse characters. I don’t write diverse, unless  you count strong female protagonists in non-traditional careers.”

“It’s got potential, love.”

I stop again, hands out as if offering my last suggestion. “I don’t even know what the freaking story is. I’ve got the first few lines. That’s it. I have no idea what happens next. I don’t even know who the main character is, much less the supporting actors or even the story goal. And first person POV? What the hell are you doing to me? I’ve got a contract obligation for Book 2.”

“I’m getting you excited for your project.”

I can’t spend thirty days writing something I have never thought about until just now.” Where’s my Night Fury conscience? Wait, no, where’s my book dragon? She can help me push back. Except she’d probably agree with him. “C’mon, I work full-time, plus sub at the library, plus the whole gotta-take-care-of-the-house thing before it turns into a hovel. I can NOT believe you’re doing this to me.”

He chuckles. I suppress an urge to slap that grin off his swoon-worthy face. “It’s my job, love, and you know it. So spend thirty days writing something different. It’s reignited the writing fire in you, right? You can’t wait to get home and get started.”

He’s right. Damn it, he’s right. I want to chase this idea. I want to sit down and start writing this, not help files for software. OMG, I’m going to be distracted by this all day.

“If you’re really good, maybe you can finish the urban fantasy and still work on Book 2 during NaNo.”

“ARE. YOU. INSANE?”

He blocks my path and locks me with his piercing blue gaze. “Are you a writer?”

Sonofabitch.

 


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I got nuthin’

Yep. Sittin’ here, staring at my screen, tapping, tapping on my desktop–er, okay, desktop doesn’t rhyme with “chamber door.” I swear if a raven shows up …

Hey, it’s October, gotta have some Poe around.

So, I need to write a blog post, but I can’t think of anything interesting to write about. Next week will be easier; I’m going to see John Sandford at a signing for his new book, “Deep Freeze”, at an independent bookstore that is locally famous for supporting MN mystery writers. More on that next week.

But this week, I’ve got nuthin’. I could bring my Muse in–that’s always entertaining. Mostly. Except I’ve been lacking a bit on the writing front. Okay, okay, lacking a lot. I’m doing another read-through of my manuscript before I turn it in to my editor, so that should count, right? (Not the final version, because my editor will request revisions, I’m sure.)

I could talk about my poor, frost-killed garden. Everything except the kale, Brussels sprouts, and the peppers (which I made a half-hearted attempt to cover against the frost) is dead. Woo-hoo! Except for the fact I have to clean the garden up now. Oh, and the raspberries are doing okay. I’m picking enough berries every three days or so to put on my bowl of cereal in the morning. Pretty sure I won’t have enough to make any jelly this year. They seem to have a heavy crop every other year or so.

NaNo is coming up. Who’s in? Since my September self-imposed NaNo went bust, I think I’m going to utilize the NaNoWriMo energy coming up in November to redraft (read: rewrite from scratch) my WIP. Or another project I was going to work on this spring.

Then again, I’ve got some serious revisions to do on my other manuscript. It’s kind of weird, really. I spent years writing and revising my other manuscript, won a contest with it, and after not reading it for months, maybe even a year, I read it and cringed at the things that need to be fixed.

My agent found the same issues (and many more–I still haven’t gone through all her notes). Thing is, I’m not sure if I want to tackle those now or wait until I’ve got my second contracted manuscript put together. And maybe my small-town mystery.

Sigh.

“Why is it when I leave you alone you get nothing done, love?” My Muse shuts the door to my writing office, bringing a scent of fried food and beer in with him, along with a suspicious stain on the front of his Green Bay Packers jersey.

Packers? Traitor.

“Gee, I don’t know. You’re my Muse. I’m a writer. Something tells me I should be able to write more when my Muse is close by rather than cheering for the Packers. Seriously? The Packers don’t play until Sunday. And the Vikings will win.” I hope. Wait. “So, where did you get that stain and why are you wearing a Packer jersey when the game isn’t until Sunday?”

“Doesn’t matter, love. You done with that blog post yet? You’ve got some work to do for your WIP if you plan on rewriting it during NaNo.”

Boy, it sure was nice and quiet before he showed up.

Have a great weekend, everyone. Keep on writing!


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Good intentions gone where?

I check the calendar hanging on the wall beside the whiteboard in my writing office. Tomorrow is October.

October? Already? Holy speeding month, Batman!

And how much did I get done writing-wise? Not 50k words, that’s for damn sure. Did I get through my edits? Hell, no. I canned over 50 quarts of tomatoes, and I’ll probably have to do one more batch. I subbed at the library for my daughter twice a week all month. And got her tech registration and Chromebook for school (yeah, almost 3 hrs of standing in line). And procrastinated on my self-imposed NaNo.

Sigh.

A squeak from the desk chair interrupts. I turn. My Muse leans back in my chair, shakes his head. “You’re pathetic, love.”

“Hey, I’ve been busy all freaking month. I’ve got half of my edits done.”

Your edits, which are minimal. You don’t even know what your editor is going to want.” He gets to his feet, the chair squeaking again in protest. I need to find some WD-40 for that.

“I’ve been doing stuff. I’m starting to plan my marketing and promo. I even registered a web domain. Now I just have to figure out how to switch over from my WordPress domain to my registered one. And I’m going to the local Sisters in Crime monthly meeting next week. My sister-in-law said she’d go to Once Upon a Crime with me. John Sandford is going to be there in a few weeks.” I should read a few of his books before then. I mark the dates on the calendar. It’s the tip of the iceberg.

“I can’t do a whole lot yet. I don’t even have the final title. My publisher might want to change it. And I’m so far behind in reading blogs that my blogging friends probably think I ghosted them.”

He leans against my desk, arms crossed on that fine chest of his. “You need to get your shit together and you know it. Marketing stuff, sure, but what were you going to work on this month? Oh, yeah, the second book in the series.”

“It’s drafted,” I protest. “It needs major work, but at least it’s drafted.”

“Uh-huh. And what about your other book, the one your agent said has potential but needs work? You haven’t even gotten through all her comments. When are you going to work on that one? And you’ve got paperwork to fill out for your publisher.”

“That’s more marketing and promo stuff. I need to brainstorm on that. I’ve got other marketing stuff I’m working on, too. There’s been a lot of good blogs posts lately on promo stuff. And networking. I’m going to do a session on writing mysteries at the Writers’ Institute next spring.”

“That’s not until spring.” He straightens, adjusts the fedora that appears out of nowhere, then sets his hands on his hips. I try not to notice the bullwhip now hanging from his belt. “When are you going to write, love?”

It’s the same question I’ve been asking myself. I’ve had something going on after work almost every day this month. There’s been a little time, but I don’t want my family to think I’m totally disconnected. And sure, I have an awesome writing office in my imaginary writing paradise, but in real life, a recliner in the bedroom has lost its appeal. I’ve started planning a takeover of my son’s room. Even though he doesn’t come home all that often while school’s in session, he’s still got a lot of stuff in his room.

“The tomatoes are almost done, so I won’t have to pick and can those. Tennis is almost over, so my daughter will be able to work her shifts at the library again. I’ll have time.”

My Muse approaches, stops inches from me. “You will make time, love. No more muse pub crawls until you get your shit together, so don’t think I’m going to give you any breaks. You are going to write.”

“I’ve got to do promo …”

His finger poking my chest cuts me off. “You’ve got to write. And my job is to make sure you do it. Got it?”

Gulp. “Got it.”

Yeesh. He’s right, though, as usual. I think things will quiet down a bit; they always do about this time of year. So, butt in chair, hands on keyboard. I can do this. I’ve done it before. Deep breath.

You know what I’ll be doing this weekend. Mostly. I’ve got grass to mow around the garden so I don’t need a machete to get to the raspberries.

“I’m still here, love. Why is your butt not in that chair?”

Dammit. Okay, gotta go. Have a great writing weekend!


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Get ready … get set … Re-draft!

I’ve made up my mind. I’m going to challenge myself to a self-imposed NaNoWriMo (50k words in 30 days) this month (yes, I know the “official” NaNo month is November, but I need to get my butt in gear NOW). I’ve learned the best way for me to get a draft done (at least at this point in my writing journey) is to do a NaNo. I’ve got an Excel spreadsheet for daily word counts and everything!

I’ve been procrastinating long enough. Technically, this WIP isn’t even a new project; I wrote it the first time during another self-imposed NaNo this past March. So, even though technically this isn’t a first draft, I’ve made enough changes to the plot that I may as well start over.

That’s another thing I’ve learned: the process of drafting–writing with a muzzle on my internal editor–helps me work out the plot. Or work out the kinks in the plot. Or see what’s wrong with the plot. All of the above.

So, I’ve brainstormed changes to the plot, and of course I won’t know if those will work until I actually start drafting. Or is it re-drafting? For my past few projects, I’ve ended up writing two “first drafts”: one that helps me see what works and what doesn’t in the original plot, and one that takes those discoveries and uses them to build from scratch again.

It’d be like drawing out plans for a shed or tiny house you want to use as a writing space, like a detached writing office. You dream up the perfect size, imagine it in the perfect location, then get out the ol’ ruler and graph paper to draw it out. Maybe even use cutouts of a desk, chair, shelves, dog bed, cat pillow, whatever. You figure out how much wood you’ll need, pick out paint and siding and even a cool window or two.

Let’s assume you’re handy enough to give it a good go. So you start framing your spiffy new writer cave according to your hand-drawn plan. The floor is the easy part–it’s a rectangle. Can’t get much simpler than that.

Okay. You’ve got your base floor done, so now for the walls. Once you’ve got the framing finished, you can see the skeleton of your project. With the walls up, you can start to see how it’ll look.

Now finish the walls, put on the roof (not shingles yet), and cut holes in the walls for the windows. You’ve got plywood on the outside, sheathing on the roof, and places to put windows.

Wait. That’s one’s not quite in the right spot. Hmm. Don’t forget to measure how far over you moved the door. And make sure to check the angle of the roof–you don’t want it to leak.

Er. Yeah. Hmm. Looks kinda wonky. That wall’s not quite square. And oops, the roof angle is wrong. All wrong. You’ll have to pull that off and redo it. And that window’s in the wrong spot–you’ll have to take that wall down and redo it. Oh, but that means the desk won’t be able to go where you wanted, you’ll have to shift it over. Wait, then the built-in shelves will have to be shorter. Oh, and a skylight. That’d be awesome.

Ugh. So you go back to your plans, erase and redraw to take into account what you’ve learned the first round. Then, you disassemble everything except the floor. Wait, gotta do that too–it needs to be six inches wider.

And so you start over. Re-draft. Except now when you get to the point where all the walls are up, the roof is sheathed, and the windows are cut, it looks much better. Oh, and don’t forget the skylight. Wait, maybe not a skylight.

Once it’s “drafted”, you can refine it, paint it, add shingles, a nice door, lights, etc. Eventually, you’ll have a nice little writing cave.

Kinda like the writing process. First plan, then draft. Then maybe you can work with the draft, but maybe it makes more sense to start over. Or take it down to the floor and try again, because you figured out what doesn’t work.

It’s a process, and each time I use it, I learn a little more about what works for me. Each time I try something a little bit different to see if it makes the process more effective.

Anyway. Enjoy the last hurrah of summer vacation this weekend. I’ll be writing. Will you?


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Mired

An empty writing office. Computer is on, but no one’s home. My writer’s gone AWOL.

Again.

Sigh.

The back door is open to the lake–big surprise. I expect to see Julie sulking in one of the Andirondack chairs. Instead, I see a sofa-sized book smack dab in the middle of a metallic green bulk.

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Bloody hell.

By the time I reach the shoreline, the scaly bulk shifts. A wedge-shaped head at the end of serpentine neck lifts and pegs me with red eyes that remind me of that robot movie starring the Austrian bodybuilder. Great action, so-so acting.

The dragon huffs at me.

“What?” Figures this thing would be a smart ass just like her conscience.

My writer peeks around the beast’s shoulder. “Go away.” She disappears behind it. A loud ploop, and ripples roll across the smooth surface of the lake.

“What the hell are you doing, love?” That damn dragon watches me like I might be a nice snack. I’d like to see it try. Wouldn’t be the first one. I think my writer’s Night Fury conscience has learned its lesson. There’s a reason I’m a Muse with a capital M. “You’re supposed to be in the office. Writing.”

Silence.

I make my way around the dragon, not bothering to stay out of reach. If it wants a fight, I’ll give it a fight. Julie is sitting on the ground, leaning between the beast’s shoulder and the book in its middle. Looks uncomfortable to me. “Why aren’t you writing?”

“Can’t.”

Uh-huh. Excuses. “Get up.”

She rolls her eyes in my direction. “Go away.”

“That’s not going to happen, love. You know, I could find a subcontractor for this gig who’s a helluva lot meaner than I am.”

“Yeah, right.”

“I talked to D’s muse. Even got the number for the agency. Maybe I should call in a Conan-the-Barbarian muse for a few weeks.” I wouldn’t. No way. But she doesn’t know that. I’ve had thirty years to figure her out. That doesn’t mean I haven’t thought about it more than a few times.

Another stone drops into the lake. “Why don’t you go on a pub crawl with Mr. E or something?”

“Because Mr. E is busy. You know Mae’s got a new series she’s working on against a deadline. At least his writer is doing her job. What the hell is wrong with you? Your son is off at college, your daughter is gone on that tennis trip until tonight, and it’s supposed to be rainy all day, so no garden stuff. You need to get your ass in that chair and write.”

“I know.”

“So why are you out here instead of in there?”

“I’m going to do a NaNo month in September, so get off my case.” The next rock splashes. “Besides, there is such a thing as real life, you know. This week’s been a pisser, to use one of your terms.”

“That’s a British term, not Australian.” I know she’s been skirting darkness this past week, so this—whatever she’s got going on–isn’t unexpected. I’m surprised she’s not out here with her Night Fury conscience instead of this big green … book dragon? “You know, you probably feel like shit because you haven’t been writing.” I reach a hand to her. “C’mon, let’s go.”

She doesn’t even look at me. “Go away. Come back later.” The dragon snorts at me.

I meet its red gaze with my own, adding a little Muse power to it. “Go take a break, buddy.”

It bares dagger-like teeth.

I add a bit more Muse juice. “She’s not writing a fantasy. Go on before you piss me off.”

It stares at me, probably wondering just how much damage I could do. Wouldn’t be pretty, that’s for sure. It finally gets to its feet and pushes off, big gold-edged wings causing a down-draft that kicks up a sand cloud as it gains altitude and heads out over the lake.

Julie glares at me. “You work for me. I said–”

I grab her arm, hoist her to her feet, and shove her toward the writing office. “You’re right, and I’m doing my fecking job, love. I’m even writing your blog post for you so you can get your shit together.”

She turns, fire in her eyes. She opens her mouth for an outburst.

I raise a finger in warning. “Don’t.” Gawd, I don’t get paid enough for this.

I’ll let her write the post for next week. Maybe. If she gets her writing done.


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Roughing It – 5 things I’ve learned about first drafts

There’s nothing quite like the feeling of creating, writing, bringing characters in your mind to life on the page. When the energy propels you to get the words out, that story in your head takes shape. You can see the unfolding of the plot, the characters, the setting, every bit that is part of the whole. You can’t refine your work until it’s in front of you. Enter the first draft, better known as the rough draft.

I’m working on the first draft of my next novel, and hitting a stretch of frustration that my mental picture of the story wasn’t complete enough to make the draft a smoother ride. It’s not the characters; the book my agent is shopping introduces the characters. It’s not the setting, though I think I’ll have to do a road trip (twenty+ years since I’ve been there). It’s the plot. The timeline. The guideposts along the way.

I tried to outline, but I don’t think I had a clear vision of the story. With most of my other projects, by the time I got to the point of writing the first draft, I had a pretty good handle on them in my head. This one, not so much.

It occurred to me as I was trying to hit my word quota last night that I’ve learned some things over the course of thirteen novel first drafts. I figured I’d share them (don’t worry, there’s pictures at the end–but not of my cat 😉 )

In no particular order, here are 5 things I’ve learned about first drafts:

  • I’m a novelist. Not that I can’t write short stories–my first publishing credits were short stories–but the stories in my head tend to be novel-length: 80,000 words or more. It took me over five or six years to write the first draft of my first novel (not counting the trunk novel I wrote in elementary–jr. high school). I knew I wanted to write a book–actually, rewrite that first book–after my kids were born, but I didn’t want it to drag on until they graduated.

When I learned about NaNoWriMo (50k words in 30 days), I knew that was my ticket to finishing a book in a reasonable amount of time. The key to “winning” at NaNo? Kicking the inner editor into a cage and locking it (that’s besides the 1,667 words a day). I learned I need to treat a new project like I’m doing National Novel Writing Month, no matter what time of the year. It’s only with that 30-day deadline and a restrained inner editor that I’m able to put myself into the frame of mind to just write. It also seems to be the only way I can get back into the habit of writing every day.

  • I outline, in a loose-ish sense of the word. The outline is not the only route from beginning to end for me, but it gives me an idea of the journey. With my current project, I struggled with the outline. I came up with characters, conflict, and setting, but the path through from beginning to end was fuzzy, and it shows during my writing sessions. I’ve learned my draft goes much better when I have a good idea of the story (outline), BUT
  • I’ve learned the process of writing the first draft actually helps bring the story into focus. As I’m writing, I make both inline notes and off-line notes. This particular draft looks less like an actual book and more like a scriptwriter’s attempt to put a director’s vision into some sort of storyboard-in-words. The story is more clear to me now than it was when I started. Maybe that’s because my NaNo-style first draft method is a lot like free-writing. No takebacks, no revising, no editing, just inline notes and writing forward.
  • I’ve learned first drafts are called “rough” for a reason. It’s less like a rock you can polish into something to put in a ring and more like deadwood turned into a functional piece of furniture with class. Rough drafts are UGLY. At least this one is. I mentioned it to some online friends as “sucking like a lemon soaked in turpentine”. Yep. Pretty much. I will never be like George R. R. Martin, with a first draft that’s ready to publish right off the finish line. Then again, my draft takes 30 days to finish, not five or six or more years.
  • I’ve learned to trust my method (your mileage may vary). This project taught me that skipping steps in the beginning (I didn’t lay out a timeline, or figure out the major plot points (just thought about the general direction), or fill out my storyline worksheets from Karen Wiesner’s First Draft in 30 Days) results in uncertainty and missing my word quota.

When I work through my process, I can often exceed my word count because I can just write. I don’t have to think about where I’m going next. I know I’m headed in the right direction because I plotted my course (heh, see what I did there) ahead of time. It’s like planning a route when you drive to a writers’ conference or retreat. You know pretty much how to get there, even if there are detours along the way. My process has changed over the years (more free-writing, less fill-in-every-entry-in-the-worksheets), but it works for me. This is the first time I got lazy (or uninspired) about planning/outlining, and boy, do I know it.

I’m on the home stretch. One more week (and I get an extra day this month because March has 31 days–heh), and I’ll have 50k words and a complete or almost-complete first draft for my next book. Then the scramble to prep for hosting the fam for Easter in — OMG — two weeks?! I’ve gotta get moving on that.

SO, I might miss my mark in the interest of not embarrassing myself with my in-laws. We’ll see. In the meantime, I’ll leave you with a peek into my garden this summer.

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onion seedlings

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tomatoes and a few peppers

Have a great weekend!