Double-dose of spooky

It’s October and we all know what that means: a month’s worth of haunted hayrides, haunted houses, haunted amusement parks, and big bags of fun-sized treats. And no one said you have to share with little kids dressed like Batman or ballerinas.

Getting back to the spooky (now that I’m thinking about chocolate ❤ ), this week I had two nights of Halloween-esque fun. Our local Twin Cities chapter of Sisters in Crime has monthly meeting the first Tuesday of every month. At every meeting, one of the members reads from their work (WIP or published) and we have a speaker such as an FBI agent or medical examiner or audiobook producer.

This month we got to hear all about ghosts and spirits from a real-life psychic/medium/paranormal investigator.  Natalie told us her story about realizing her abilities and using them to help spirits cross over. She was fantastic! Now, I am somewhat skeptical, but I firmly believe there are a lot of things we don’t understand about our world, and I think there really are people who are sensitive to things beyond our perception. I mean, with 7 billion people on the planet, someone (many someones) has to be, right?

Natalie shared some of her experiences with us, including a spirit that wanted to cross over on a stairway to heaven, like the song, and it took as long for him to climb the stairs as the song. Another spirit she helped, who had died in an ATV accident, decided he wanted to go on a Harley. Man, when I get there, I want to go on a dragon 😀

All the stories were great inspiration for adding spooky to mysteries. Natalie is a member of our chapter, and accessible. She said watching ghost-hunting shows on TV is not the same as the experience. If there’s a legit paranormal investigation group in your area, they might have opportunities for you to tag along on an investigation, or they may conduct events for groups at known haunted places. In fact, Natalie and her group are doing an event this month at the Palmer House Hotel, a known hot-spot for ghosts.

picture taken in Anoka by Timya Owen, Twin Cities Sisters in Crime, on the ghost tour

Have you ever heard of Anoka, MN, the Halloween Capital of the World? The historical society there conducts walking ghost tours of the city, complete with historical facts about houses deemed to be inhabited by souls that haven’t crossed over yet. A group of Twin Cities Sisters in Crime (TC SinC) members, including yours truly, went on a tour the night after our psychic speaker primed us for all things paranormal.

The house in the picture above is purported to be the haunting grounds of a little girl who died during the flu pandemic in the early 1900s. Another house has a proper Victorian-age woman who refuses to let the homeowner sleep in on weekends (by banging around), and watches movies with the homeowner on her laptop. (How does the homeowner know? Cold spots where someone might be looking over her shoulders, then she adjusted the laptop, and the cold spots went away)

Members of Twin Cities Sisters in Crime, pic taken by Timya Owen (I think)

This Masonic Lodge is connected to a house that was built by a couple who were doctors. The house is now an antique shop, but the spirits still hang out; people have even smelled someone smoking (no smoking is allowed in the place, of course). The story about the Lodge involved a member who was there late working on something on one of the upper floors. He finished, turned out the light, down the stairs, locked the door, got into his car…

And the light was on. So he gets out of the car, unlocks the door, goes up the stairs, turns out the light, back down the stairs, locks the door, back out to the car. And it happens again. The third time it happened (this is all the same night, btw) he raced up the stairs, turned the light out, raced back down, and in a mirror beside the door caught a glimpse of trousers and shoes coming down the stairs behind him. The Mason said, “Turn the light off your damn self,” or something along those lines. He locks the door, back to the car. . . . . And the light stayed off.

It was a dark and stormy (windy) night, perfect for a walking ghost tour. From ghosts who warn the house/ building residents of danger by leaving lights on or knocking bowls off of refrigerators to spirits of children running up and down hallways like kids do, there were sooo many ideas for stories.

It was a fun week, and I learned a lot about the paranormal, and the possibilities. I kept thinking about Mae Clair’s most recent book, Cusp of Night, which revolves around a spiritualist and things left behind (and don’t forget her Point Pleasant series with the … oops, not going to spoil it 🙂 ). Another author with some great (IMHO) books involving the paranormal is Kay Hooper and her Bishop/Special Crimes Unit series, which is actually multiple series starting with Stealing Shadows, through the Evil, Fear, and Blood trilogies to the SCU series and the Bishop Files. I’ve also read and enjoyed the Abby Cooper books by Victoria Laurie.

Yeesh, didn’t expect this to be so long. Anyway, if you want some fodder for spooky stories, a ghost tour or a talk from a paranormal investigator will stir up your imagination.

Trying to fight off a cold that just hit me yesterday, so other than pickling all the peppers I rescued before the plants succumbed to frost, I’m going to relax a bit this weekend. Next weekend I’m spending a day at a book festival for TC SinC. Gotta get some experience; my March release is only 6 months away 🙂

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We all can relate

I watched Jurassic World last night for the first time (yes, I know it’s been out for, like, three years, but I’m a little behind. I just saw Hidden Figures last week). It’s a good movie for those who like dinosaurs (me! me!), but as a storyteller, I noticed a few things that made me think of writing, plotting, etc. (Note: if you haven’t seen the movie, just sayin’ there will be spoilers.)

Yes, I know it’s one of those all-action, not much in the line of story-telling movies like so many these days. There was more character development in some of the Transfomers movies (yes, I like big, sentient robots too 😀 )

Anyway, that wasn’t what I noticed. The first thing I noticed is something that my writing teacher mentioned in our Master Novel class. A writer has to draw the reader in, and there has to be conflict of some sort. You know the classics: man v. man, man v. nature, man v. self, and man v. society. (I looked this up to verify my memory was working, and discovered now there is one more: man v. the supernatural. Well, I would consider that nature *shrug*)

The conflict is obvious: man v. big bad dinos juiced up by man’s incessant desire to tinker with Nature. How does the saying go? Don’t mess with Mother Nature, she’ll kick your ass. So what if they filled in some DNA gaps with other stuff? You know, like cuttlefish camoflauge DNA or frog DNA (in the first Jurassic Park, that’s what caused the problems in the first place, the spontaneous gender-switch some frogs (lizards too?) will do). What could possibly go wrong?

Character development is at a minimum. The only characters that seem to develop by the end are the main character Claire, who takes the typical “ignore family because of work” to the “family in danger, family is more important” route. The two boys, a teenaged brother and a somewhat younger brother, change from the sulky teen and smart-but-lacking-confidence middle-grader to a stronger, more confident pair who take care of each other.

Yawn.

Where was I? Oh yeah, conflict and drawing the reader in. The part that reminded me of my writing teacher is the drawing the reader in part. Once way to increase conflict and make the reader care more about what happens is to create a bond between characters, either between the one in danger and the hero/ine, or between the protagonist and the antagonist. They did that with this movie, as well as with the first one, Jurassic Park.

In Jurassic Park, the man who started the park, Hammond, invited his grandkids to see the park before it opens. Of course, the kids get into trouble when the dinos get loose, but there is a family tie, which automatically ramps up the tension. In Jurassic World, the woman managing the new park, Claire, is tasked to babysit her nephews while her sister and brother-in-law deal with marital issues. Once again, the kids get into trouble with the super-smart, bad-ass dino gets loose.

See a pattern? Tension is increased when the conflict involves a relative or loved one. Even the first Jack Reacher book had a family tie: Reacher’s brother is killed, and Reacher hunts for the culprit.

A reliable way to draw readers into the story is to use family ties of some sort, because everyone has experienced having a sibling or parent or significant other or favorite/hated relative. We care more about people we can relate to, which is why in my debut novel I include a family tie, where in the first draft I had none. It made a huge difference in how the reader cared about the main character.

The plot was pretty typical action movie stuff. Bad guy/dinosaur/robot/supernatural creature terrorizes hero/ine’s loved ones, good guy’s goal is to save loved ones and beat the bad guy, in spectacular, CGI-laden, heart-pounding, explosion-ridden, magic/mutant power-blasting style.

The other thing I noticed was the ending (MAJOR SPOILER ALERT). Granted, I didn’t sit down and watch the whole thing; I was making fresh salsa for my home-from-college-for-the-weekend daughter during the first 30 min of the movie, so I might have missed something, but when Claire released the kraken–er, wait, wrong film. When Claire released the T-Rex, I had to suspend my disbelief. It was the T-Rex from the original movie, but I don’t remember them mentioning the old T-Rex at all. I could rewatch the whole movie (or I could just rewatch the first half hour) to find out if they foreshadowed the T-Rex, but really? I mean, talk about deus ex machina.

Do not do that in your writing. Seriously. Totally blew the experience for me, because I was wracking my brain for anything about the old T-Rex from earlier in the movie. I might have to rewatch it anyway.

Repeat after me: No magic/unexpected solutions to finish off the bad guy. No pulling a rabbit out of a hat to beat the bad guy if you haven’t told readers about the killer rabbit earlier. Just. Don’t.

Today will be apple bread and chocolate chip cookie day. And little, if any, writing. Sigh.

Have a great weekend!

Endearing characters

Rich characters are an author’s goal. If we can create characters that stick with readers after they have closed our book, we’ve done our job.

But we don’t always consider adding an extra little treat to our stories, especially if we write in the suspense or thriller genres.

Pets are something we can add to our stories to enrich them, and round out the human characters. I mean, many readers can relate to a character who has a dog that needs to be walked or a cat that insists on being let outdoors at the most inconvenient times.

In cozy mysteries especially, pets seem to be everything from sidekicks to co-protagonists. In the Fudge Shop Mysteries by Christine DeSmet, Lucky Harbor, a fudge-loving mutt, is both a sleuth and a troublemaker. In the Stephanie Plum mysteries by Janet Evanovich, Rex the hamster is Stephanie’s only roommate. More entertaining is Bob the golden retriever, a galoot who eats anything (including socks and underwear) and later “horks” it up.

Pets aren’t just for cozy mysteries, either. In J. D. Robb’s In Death futuristic police procedural series, Eve Dallas owes her life to the plump cat she names Galahad. Even in a few of the later Special Crimes Unit/Bishop Files books by Kay Hooper, she added dogs and a cat named Pendragon that all seem more than average.

Some of my favorite fictional pets appear in urban fantasy. One of my favorite urban fantasy series is the Dresden series by Jim Butcher. Harry Dresden lives alone in a basement apartment with Mister, a huge domestic cat, as his only freeloader–er, pet. Later, he acquires a foo dog, which is a mythic temple guardian in Tibet (think of those dog/lion statues you always see outside temples) that looks like a Tibetan mastiff. Mouse is one of my favorite fictional pets. He’s huge, but sweet. In Kevin Hearne’s Iron Druid series, Oberon is an Irish wolfhound who adds some comic relief.

If I could choose any fictional pet for my own, though, it’d be a close tie between Mouse and the firelizards from Anne McCaffery’s Pern series. I mean, who wouldn’t want tiny dragons to hang out with?

Adding a pet, or a stray that winds up as a pet, is a great way to give your readers another reason to feel connected to your characters. In my debut novel, I have a pet ferret as a little extra source of endearment. As I’ve been working on Book 2, I didn’t start out with a pet, but the more I write, the more I think a pet is needed. One of the characters went through cancer treatment, including surgery. Her husband would be worried, and lonely while his wife is in the hospital. Then there’s the time he can’t be at home with her while she’s recuperating. What better than a dog–or a cat–to keep them company?

Not every story needs a pet, but sometimes it makes sense. Remember, we want our readers to think of our characters as real people. Real people have pets. Besides, you never know when that pet will be the key to resolving a conflict or reaching a goal.

Amazingly, I have a free weekend–woo-hoo! I see two days of heavy writing in my future 😀

Write Well! Write On!

 

The End of Summer Already?!

Say it ain’t so. Please.

Where did the summer go? I check my paltry word count. Did I say I was going to do a self-imposed NaNoWriMo in July? Ha! That busted in epic style. Then I think I vowed to do the same in August.

Yeah, right.

Sigh. I was just discussing this past summer with my husband. It’s been an unusually busy one this year for us, from two weddings within a month of each other–one in Dallas, TX–to graduation to the prep for my dad’s auction (and the auction) to moving our youngest to college. And we didn’t even host Easter this year, so we didn’t have that activity to contend with.

I look up from my laptop. My writing office is empty. The wall-sized white board is covered with a list of writing projects, a timeline for Book 2, and …

I cross the office to get a better look. It’s a calendar. Actually, it’s the next six months, starting today. March 2019 is circled.

I didn’t write it.

“Two thousand words a day, love. That’s what you said.”

I can feel him behind me, a well-built, hot-looking guy invading my personal space. My Muse. He’s close enough that I can smell coconut and that indescribable scent of a vast body of water.

A glance back over my shoulder, and he moves in to stand against my back. At six-foot two, he towers over me, but seldom uses that to his advantage.

Today he’s using it.

“Um, you’re a little close there, buddy.” Not that I’m complaining. Nope. Not me. I’m a little young for hot flashes, but I’m pretty sure that rise in body temperature is due to a hot flash. Yep, has to be a hot flash.

He drops his hands onto my shoulders and squeezes. “I’ve been giving you a bit of space, because you promised to write a thousand words a day.” He lowers his head until I feel his breath against my ear. “Just how many words did you write yesterday, love? And the day before? Hmm?”

Gulp. “I’ve got over thirteen thousand in on my, er, third first draft.”

“You should have thirty-six thousand by now according to your NaNo spreadsheet. I didn’t think I would have to baby-sit you after you started writing every day, a thousand words a day. I see I was wrong.”

My breath shudders. “You do realize I’ve been busier than usual this summer, right? It’s not like I’m goofing off. Besides, the kids are both at school, now. Well, except my daughter is home for the weekend since it’s a long weekend.”

“And how many words have you managed?”

“Hey, I’ve cleared a thousand words on a few days. I’ve been close to a thousand the other days.”

“The other days that you actually write.” He releases me and backs off, freeing me from his overbearing height.

I ignore the teeny bit of disappointment that follows the fading heat. “I thought I was doing okay.” I turn to find him pacing across my office. He reaches the opposite wall and heads back. His loose-cut tank top and cut-offs seem to highlight the copper tan of his skin, which in turn enhances the lean muscles of his shoulders and arms. Pale streaks highlight his blond hair that needs a cut. Except if he’s going for the beach bum look. Then it’s perfect.

It’s another hot flash. Yep, pretty sure. I resist fanning myself, and I’m glad when he stops before he reaches me. Until he hits me with those intense blue eyes of his.

Gulp. I sure hope he didn’t catch those thoughts…

“The fedora and bullwhip aren’t working anymore, love. I’m going to have to step it up.”

Er, I’m not sure I want to ask.

*Thud* A low rumble shudders through the office.

“I called for reinforcements.”

Now I know I don’t want to ask.

We have a 3-day weekend here in the US with Labor Day on Monday, so I’m planning to spend some serious writing time. Of course, Monday will probably be a bust since I’ll have to take my daughter back to school. Still trying to settle into an empty-nester routine. At some point, I’m going to take over my son’s room for an office (but, that’s time spent not writing, so dilemma).

Enjoy the last “official” weekend of summer!

 

 

 

A case of (almost) mistaken identity

See how I did that? Made you look! 🙂

One of the decisions an author makes during the process of getting published, either traditionally or self-published, is what pen name to use. Most writers will use their “real” name, which makes sense. Some authors choose to use an alias, or pseudonym, as their pen name.

Writers with well-known pen names include Stephen King (Richard Bachman), and his son, Joe Hill (instead of Joe King. Heh, I never noticed that. Joe King. Get it? 😀 ). Others off the top of my head are J. D. Robb and Nora Roberts (which isn’t her real name either), Jayne Ann Krentz and Amanda Quick, and the (in)famous Robert Galbraith version of J. K. Rowling.

So, why do authors choose to use pseudonyms? Sometimes when an author is established in a particular genre, and they decide to write in a different genre, they will use a different pen name, like Nora Roberts and J. D. Robb. Nora is known for romance and romantic suspense. J. D. Robb writes futuristic police procedurals (which are great reading, by the way 😉 ). According to my editor, in her experience an author’s readers will read the author’s work no matter the genre. Well, except, I suspect, if the author strays waaay away from their usual genre, like a middle-grade author writing romance, or a horror writer getting into picture books.

Sometimes authors use pseudonyms because it may make their book marketable to a wider audience, though I suspect that isn’t like it used to be. I’m referring to the discrimination experienced by female authors in certain genres, notably mystery. I suspect the same thing would apply to male authors writing in genres such as romance. Gender expectations, I think they call it.

What if you have the same name as another author? I personally know a writer who uses a pseudonym because there is already an established author (in a different genre) with the same name.

Then there are the collaborative authors who write under a single pen name, like P. J. Tracy, a mother-daughter team (daughter only now, since Patricia passed away in 2016).

And a small percentage of authors may be concerned about privacy, but that might be more relevant if writing something highly controversial, or in the erotica genre. Look at the Fifty Shades books: E. L. James. I can see her not wanting to be immediately recognized at the annual church picnic.

The obvious question for a new, soon-to-be-published author is whether to use his/her real name. If the author’s name is something almost impossible to pronounce or spell correctly, or it just sounds weird (like Joe King 🙂 ), it might make sense to change it to something more reader-friendly.

It’s easy to search author names to see if your name already exists out there. Sure, your name might be Sue Grafton, but you probably don’t want to use that as your pen name, especially if you write cozy mysteries or women’s fiction. You might decide to use Susan Q. Grafton, or maybe your grandmother’s name (I know a writer who did that as well) of Lucille Cornish.

Seriously, get on with it…

Now to my story (sorry it took so long to get here 🙂 ). Because of the whole female writer in the mystery genre thing (gender expectations), I chose to use my initials. (Okay, there was some influence from my other half, who has an eye on privacy. I thought about using my maiden name, but that can be hard to pronounce correctly).

I searched Amazon, and no other authors used J. M. Holmes. Oh, added bonus: a mystery writer named Holmes. Never thought about it until a fellow writer mentioned it. Anyway, I established that with my publisher, set up a FB author page, Twitter account, yada yada. Just waiting on the cover art to really go gangbusters. My debut novel, Murder in Plane Sight, is being released in March 2019, and I don’t have cover art yet so I haven’t set up an Amazon author page or Goodreads author page.

Last week I got a notification that my FB author page has a mention. What?! So I go check out the post linking to my author page. It was a review/recommendation page for five summer reads, and a book by JM Holmes was on the list.

Except it wasn’t me. That JM Holmes is a male author in a more literary genre (story of African-American young men growing up in Philidelphia). His book is also a debut novel, to be released this month.

No wonder I didn’t find him in my author search last fall.

I can’t release a book under J. M. Holmes now. I asked the poster to remove the mention of my author page since I’m not the author she was looking for (she obviously didn’t look at my page, just probably searched for it).

I contacted my editor after getting reassurance from my agent that yes, I should change my pen name. I searched for my name, and no other authors popped up. Whew! My editor also assured me that the whole women mystery author thing is pretty much history thanks to authors like Sara Paretsky and Sue Grafton.

So, I will publish under Julie Holmes (much to my husband’s chagrin despite my promise not to embarrass his (my) name with shoddy writing and to keep as much anonymity as I can). So, change the FB author page, the Twitter handle, and at least I haven’t set up an Amazon or Goodreads page yet.

The benefits of a pseudonym are legit, but were more relevant years ago, I think. According to my editor, a lot of authors she knows wish they would not have used pseudonyms. I remember an article some time ago about how pseudonyms may be more trouble than they’re worth in a lot of ways. Using your real name simplifies a lot of things.

Sorry for the long post today (but I did include cat pics 😀 ). Have a great writing weekend!

Finally! I need a nap.

How many tries for that (kinda) perfect opening?

It was a dark and stormy night.
It was a really dark and mega-stormy night.
It was night, and dark. And stormy.

Meh.

The night was darker than an inkwell and more stormy than the Classics IV.

Ugh. Ick. (sorry not sorry for the link 😀 –I couldn’t help myself 😉 )

Wind whipped across the field, caressing the wheat into undulating waves …
Wait. Not dark enough.

Wind tore across the field, whipping at the grasses, pale waves snaking across the expanse. Lightning lit the night, flashing against angry clouds, exposing the undulating darkness boiling in the sky.

Hmm. Better.

How many times do you rewrite that first line? That first page? The opening scene? If you’re like me with my Book 2 project, the count is reaching double-digits. I think I’ve hit 6 or 7 do-overs. At least.

I won’t go into the multiple reasons and ways to rewrite that first line/page/scene/chapter because there are a lot of resources about the subject, such as Noah Lukeman’s The First Five Pages. Which, by the way, is a very good book. My main struggle at this point isn’t that first line or page, it’s the opening scene. I’m still trying to get going on the 6th or 7th (8th?) run at my rough draft for Book 2, and I feel like if the opening scene isn’t working, it may be causing the sticky wicket in my brain. Or is it my story that’s in need of some adjustment sending my opening off the rails?

Have you ever started a story, and it just didn’t “feel” right? Then you restart it, and it still doesn’t feel right? And even when you change the opening and think it’s finally going to work, it still feels wonky? So you rewrite it again. And again. And it seems like nothing is falling into place, even though you’ve got a working plot roughed out.

This spring when we got together for the Writers’ Institute, my writing sisters helped me with the plot. It was great, because it “felt” a lot better than my first stab at it (no, the victim is not stabbed in this one 😉 ) I ran with that, and though I liked the revised plot more than my first go, it still seemed a bit off. And I continued to struggle with the opening.

Every year before our reunion retreat, we–my writing sisters–exchange about 20 pages for everyone to review, then at the retreat we discuss each other’s pages and offer feedback. This year I shared my entire 6th (7th?) first draft–all 20 pages of it (Don’t tell my Muse I still haven’t started the next do-over; he’s gonna lock me in my writing office every day and stare at me until I write a thousand words. 😐 And he’ll probably hide my chocolate, too!).

Again with the help of my “sisters”, I’ve got a few tweaks to the plot that should solve some of the issues my subconscious kept niggling me about. I remember thinking a few things in particular didn’t seem right, but I couldn’t figure out why. I need to listen to that niggling, because it means somewhere in the ol’ gray matter my writer’s brain is paying close attention. Sure beats a two-hour detour (no, I’m not going to tell you how I missed a turn and ignored that little voice that kept telling me I should stop and turn around).

About that opening line/scene: don’t sweat it too much until you’ve got the first draft (and maybe second draft) finished. Seriously. And even though “they” (you know, all those more experienced writers and writing teachers) say the first line (or paragraph) should give the reader a sense of WWWWH, fine-tuning it can come after you’ve got the plot holes filled, the timelines in order, and the character arcs smoothed out.

You want to drop the reader into the middle of the action or at least some sort of goings on. No waking up and looking in the mirror or weather report unless it is pertinent and not boring or cliche. Even if you open with action, it doesn’t mean that’s the right action to open with. Case in point: when I workshopped my police procedural in a novel writers’ Master Class, I had an action-packed opening scene, or so I thought. My writing instructor guided me to make it better.

I wrote a new opening scene that keeps the gist of the action, but it now gives the reader a much better sense of the main character and the flavor of the story that follows. And it feels right. Or at least more right than the first one did.

The longer you practice writing, the easier it will be to recognize when the opening just isn’t “there”, and the better you will get at fixing it. Bottom line, if something feels off or wonky with the opening, it’s probably your writer’s brain (or muse) poking at you and telling you to try it again, because what’s there isn’t working. Listen to it.

Happy Writing Weekend!

Recharging Creative Energies

 

View from Julie’s balcony, Crystal River Inn B&B

*leans over balcony railing* “You bloody well owe me for this.”

“Yeah, yeah.” My writer yells from the yard. “I told you last weekend I wanted you to write the post while we’re here.”

“This is not part of my job description.”

My writer waves. “I’m going on the lake tour. You can catch up when you’re done.”

“You heard the part about owing me, love. Trust me, I will collect.”

Julie piles into the van with her fellow writing sisters without another wave.

So here I bloody am writing her blog post. Again. But this time it isn’t to be nice. Mercury is in retrograde, and damn it, my writer has an energy drain that’s been pulling her down since last weekend. She asked me to do this, but I agreed on one condition: she has to work on Book 2 every single day for the next month.

She blew her July NaNo. I’m ready to take bets on if she will manage to get 30k words done in a month. A thousand words a day. I’m ready to pull out all the stops on her.

You writers think we muses have it so good. You think all we have to do is sit on a shelf like some fecking holiday elf and you magically get inspired.

Well, it doesn’t work that way. We have to figure out how to encourage your creative energies to kick around ideas and images in your head. And if that doesn’t work, like it isn’t working for my writer (damn it all to bloody hell and back), we have to gather it ourselves and shove it into you.

It’s like trying to collect sparks from a Roman candle and cramming them into your head like …  Trust me, it ain’t easy. It helps that the reunion is at such a quiet location, with a river running behind it. It gets my writer to open up to the energy, which makes my job a hell of easier.

Besides, I left my bullwhip and fedora at home. Hasn’t been working anyway. Now that Julie has finished the list of stuff she got from her editor (THAT wasn’t as tough as I thought it would be), she can focus on her next project. And I’ll be damned if I’m going to just sit by and wish the creative energy to infuse her.

No, I’m going to fecking channel the energy into her. I didn’t take that Muse refresher course for nothing. And I didn’t learn the rules so I wouldn’t break them. Besides, they’re more like guidelines…

Signing off, because I’ve got a Muse rule or two to break.

Get your arses writing!