Whew! What a weekend! I’m here in Mad City, Wisconsin for the 30th Annual Writers’ Institute. The conference has gotten so popular that it now runs from Thursday morning through Sunday noon. And there is plenty of great stuff to go around. First, though, a well-deserved round of applause to Laurie Scheer and her team of tireless minions–er, assistants who help organize and run this conference.
(yes, you can say it: Julie takes lousy pictures.)
Laurie Scheer welcomes writers to the 30th Annual Writers’ Institute
One of the keynote speakers this year was Jane Friedman, who spoke about writing for love and money, and about the myth of the “starving artist”. She shared the stories of various artists who managed to combine their creativity and business models into successful careers, such as Jim Henson and Alain de Botton. The key to success: use creativity to find more readers, because as more people demand your work, the more your writing (business) will grow.
The following day Jennie Nash was our keynote speaker. She shared three reasons authors give for writing a book. Writing a book has a high emotional cost, and low ROI (return on investment), so every author she and her team work with over at Author Accelerator are presented with the question: Why write a book? The answers boil down to these: to find and claim your voice (which may have been suppressed in the past), to influence other people or make an impact, or to write a book before reaching those pearly gates. And ultimately, “writers gotta write”. Find the reason that speaks to you and tap into that energy.
So many great sessions, so little time. I got to the conference on Thursday and caught three sessions. One was about a digital brand cheat sheet, presented by a high-energy social media influencer. She showed us the potential of social media to reach far beyond your family and friends.
Another session explained how bookstores–at least independent ones–go about decided what books to stock, and the best ways for writers to succeed in getting books on their shelves. It comes down to Fit–is your book a fit for that store, Timing–is the store ready to pull in new books, and Approach–suggestions on how to approach a bookstore about carrying your book and the things to accomplish beforehand (like ISBN numbers and early reviews).
An agent shared the biggest pitfalls writers make while revising their stories, starting with the familiar “starting the story in the wrong place.” Other things to watch for include characters that are not fully formed on the page, a lack of a physical sense of setting, raising stakes, and not following through on your promise to the reader (what is the story you are setting in motion). These things can be spotted by critique partners and beta readers, so the moral of the story: you can’t do it all on your own.
I popped into a session about author websites, which gave a lot of the same information Dan Blank did in his author website video series (check out his WeGrowMedia site and sign up for his newsletter. Really. If nothing else, his kids are cute 😀 ). Another session listed ways to “bring back the thrill” of your writing; making it fun again. The ten points included giving yourself easy goals and rewards for your accomplishments (and yes, a piece of good chocolate or a latte counts 😀 ), playing with your reader by inserting inside jokes (case in point: R. R. Campbell used the names of the universities in his books for the jokes, and no, I’m not going to tell you–mwahahahaha), listening to your characters and what they want to do, and surround yourself with people who believe in your abilities and encourage you. Finally, remember you are competing against no one–you are the only one who can tell your story.
Good stuff. I participated on a panel about writing books in a busy life, where we shared our own strategies and offered ideas on how other writers could carve out that time to write. A number of attendees found me later to express their appreciation for the panel, because it gave them some direction on how they could overcome the excuses of not having time to write. And yes, I learned a few things myself. I’m sure my Muse will remind me the next time I complain. 😀
I presented two sessions, one on “Setting as a Character”, which had a full room. I hope the writers got something out of the session. It was my first of the conference, and somehow I ended up with a lot of time left over. Hmm. My second session, about point of view, was much less attended, but one of the other sessions about outlining was very popular (I know it was, because some writers spoke to me before the session about wanting to sit in, but they also wanted to sit in on the outlining session).
The highlight of my experience, though–besides getting to see some of my Writing Sisters–was the Success Panel, where authors who have utilized the WI or Write-by-the-Lake or other writing programs from UW-Continuing Studies are now newly-published or have a new book out. Check us out.
Success Panel 2019
The closing ceremony is Sunday, when we wrap up the conference. The energy generated by so many writers and creative people infuses the atmosphere here. It always amazes me how wonderful the writing community is. We try to help each other, support each other, and encourage each other. And every year I encounter writers who are attending for the first time, and see their wonder at these welcoming arms.
There is a reason the Writers’ Institute is listed as one of the top writing conferences in the country. And every year I have to agree. It has once again recharged my creative energies and given me lots of ideas on how to approach aspects of my journey as a published author, including wielding social media tools and focusing on “butt in chair, hands on keyboard”.
If you have a writing conference on your wish list, take a look at this one for next year. You won’t be disappointed!