Week two of NaNoWriMo. I made week 1’s word count, but so far I’m slipping this week. Phone call with my daughter last night, who hasn’t registered for next semester yet –WHAAAT?! So, that, and reminding her to Do Her Homework before the day before the day it’s due. I know. What a concept.
It’s part of learning to manage time. And she’s trying, but boy, the call of procrastination is strong.
I am getting back into the routine of writing every day, which is pretty much the point, along with finally finishing my rough–really rough–draft of book 2. I’m still planning to work on a new book I plotted out but haven’t really gotten to yet. I did write a really rough draft of it, but that needs to be rebooted.
Anyway, every year around NaNo time there are posts and discussions about plotting versus pantsing, better known as writing “by the seat of your pants”. In other words, planning the story versus just writing and letting the story write itself (you know what I mean, like when the characters take the reins and head in a direction you didn’t intend them to go).
I like to think I’m more of a planner than a pantser. I don’t exactly outline, but I walk through the story. I have a starting point, I have an idea what will happen first, second, third, etc. I know who the characters will be, who the bad guy is, who the good guy is, and who the supporting characters are. This gives me a map, but leaves me room to wander a bit.
So, here I am, writing my minimum 1,667 words a day (ideally, 2k words a day, but I haven’t gotten onto that kind of roll yet), and walking through my path, and the story–erm, the characters started taking a side trip. Which seemed to work. Until it didn’t.
Wait, let me back up. I started with an apparent self-inflicted demise… or was it? The more I wrote, the more it wasn’t quite working. So, I wrote myself an inline note (I do a lot of those to remind me of things that pop into my head). And as I wrote the note, I realized why it wasn’t working.
Hoo-boy. I have a bit of revising to do. But this is a rough draft, right? It’s supposed to be crappy. Onward, ho!
Then I run into a scene that doesn’t quite go as planned. Those darn characters! The change seems to work, but the further I go, the more that change screws up part of the climax.
So, another long inline note about why the change made four chapters back won’t work, and how I can handle the storyline so my original idea will be a logial step in the plot. And now to keep going while pretending the dead end doesn’t happen and my original idea is a part of the plot.
As I’m going through this, I realized something (lightbulb moment!): my rough draft is my way of talking through the story to refine it. Not polish; that comes later. It’s like planning a trip. You check out the map (yes, the old paper ones no one could ever refold right), maybe highlight the route you want to take. Figure where to stop for lunch. How about a stop at a landmark or historic site; hey, you’re going right by the world’s largest wad of used chewing gum. It would be a great photo op 😀
So you head out on your road trip, stop at the chewing gum tourist trap, and hey, a few miles off the road you can have lunch at Ole and Lena’s Homestyle Restaurant, because you can’t go past NorwegianJoke City without stopping for their world-famous lefse.
And you can get back to the freeway the short way, or you can go ten minutes the other direction to visit Cousin Sven. Besides, there’s another main road you can take to get back to Grand Highway Junction. Cool. So after you hang with Sven for a few hours, you head out.
And you hit–you guessed it–road construction. Man, maybe you shouldn’t have picked this road. So, do you retrace your steps, or take that other rural two-laner? Hey, two-laner might be fun. So you take that route. Until you hit the cattle drive. You go back the way you just came. Sheesh. Should have stuck to the freeway.
And there is an ugly picture of my writing process. Sort of. I have a plan, take a few side trips, then learn I shouldn’t have taken that detour. Or the detour works for a while, or the detour leads to an even better trip through a state park.
Bottom line, the whole process of writing a rough draft is instrumental in refining the story, so take advantage. And that pesky internal editor can get in the way of the process, so send her on a month-long junket to somewhere. Remember, rough draft = crap, but it also equals an opportunity to make major structural changes before it becomes a lot harder to make them.
Hey, 860 more words for my NaNo count–woo-hoo!
Keep on writing, and enjoy your weekend! (and remember, less than two weeks until Turkey Day 🦃)