I’ve been reading a bit more these past few months, something I’ve been doing less of over the past year (since we all know how busy we were last year–NOT 😐 ). As a writer, I’ve caught myself noticing more lately how stories are structured. I probably always noticed, just not noticed. Know what I mean?
My preferred reading genres follow what I like to write (or is it what I write follows what I like to read?) Anyhow, I gravitate toward mysteries, suspense/thrillers, and urban fantasy. There’s always the occasional non-fiction book, whether craft-related or maybe research for a book.
In any case, lately I’ve noticed some things in the books I’ve read that remind me of my writing classes, specifically the things my writing teacher still says in my head regarding the structure of a story, which hits upon the basics of fiction: inciting incident, midpoint reversal/crisis, and climax/resolution, preferably with a twist and/or big reveal. The “things to pay attention to” between the beginning, the middle, and the end might vary, but it seems those three anchors remain no matter what craft book or class I’ve had.
Some lessons use the three-act structure, some the 7-plot point structure, some the hero’s journey, some try to “save the cat”:
and there’s probably a hundred more variations on the idea, but those core tenets are the ones I hear repeated in my mind when I’m “outlining” (i.e. writing a timeline) or revising. All the different interpretations of story structure follow the same basic path. Try doing a search for “story structure” and just look at the images that come back.
I just finished another book that made me think of this structure in particular, because of the character arc, which followed the story arc: inciting incident, midpoint reversal/black moment/point of no return, revelation/climax, resolution.
As writers, I think we learn from every novel or story we read, maybe not always consciously, but subconsciously. As I read this latest book (if you must know, it was Anne Frasier’s The Body Reader), my writer brain noted the structure:
- This is what started it all, shaped the character. This will determine how the character approaches life.
- Dead body? Okay, who is it and whodunit? Off we go.
- This is–wait, what? OMG, seriously? No way. She can’t … I can’t believe she’s going along with this.
- Oh, whew! Good, she’s gotten back on track. Sort of. Oh, that’s such a bad idea. Don’t do it!
- Ha! I knew he was involved. Wait, oh …
- Holy crap! No way!
- Uh oh …
- Whew! Saved! Now, where’s …
- Oh crap! C’mon, get him!
- Yeah! Got him!
- Now what? Oh, good. Sigh of relief.
- What’s the next book?
Which, I realized as I progressed through the story, was the classic structure, the skeleton of the stories I’ve read and really enjoyed. I thought about some of the other books I’ve read recently. Even urban fantasy books follow the structure, though granted, the obstacles in the way of the main character(s) tend to be way more intimidating than in a regular story (I mean, which would be worse, going up against the bad guy pointing a gun at you, or facing a titan with near god-like powers to fry you where you stand and all you got for Christmas was a skull with a spirit and a carved wooden staff (Harry Dresden, in case you were wondering)).
Which, of course, encouraged me to taked a closer look at my current project, Book 2. Inciting incident, check. Rising tension, check. Black moment? Sort of. Note to self: work on that. Climax? Yeah, that works. Maybe there should be another incident. Tension? Yes, but could be better. Hmm. Add this to jack up tension. Higher stakes. What about this? What if …
Bottom line, reading allows us to see how other authors drape their stories on the skeleton of story structure and utilize it to keep the reader’s interest. It reminds me to pay attention to my own work to make sure I’m taking advantage of a proven formula. So even though I’m not writing, I’m still learning. Yep, I’m going with that.
Now to get back into Revision Round #3. May you all have a creative week ahead!
Keep on Writing!
January 16, 2021 at 7:20 am
I love it that you’re taking the time to read as a writer, Julie. I couldn’t agree more that reading that way helps us immeasurably as writers. Taking not e of a story structure teaches us a lot. I’ve even had the experience of reading another story, and then completely changing something I was writing because of something I learned. I like those lessons.
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January 16, 2021 at 6:00 pm
Oh yes! I’ve done that, or at least took another look or three at part of a project because of something I noticed in a story. Those lessons are great because you can “see” techniques in action.
Have a wonderful weekend, Margot!
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January 16, 2021 at 8:02 am
Thank you for sharing this post about story structure. I enjoyed reading it.
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January 16, 2021 at 6:04 pm
I’m glad you enjoyed it! Thanks for stopping by, Molly!
Have a great weekend!
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January 16, 2021 at 10:31 am
Enjoyed this, especially the comparative structure chart. I’m working a “Hero’s Journey”/”Save the Cat” structure for contemporary realistic YA adventure, and I need to work on some of the same things you’re working on in yours. Happy writing!
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January 22, 2021 at 3:43 pm
Thanks, Liz! I typically follow the 7 plot point process. I like how the chart compares the various method, and methinks I should take another look at “Save the Cat”.
Write On!
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January 16, 2021 at 11:31 am
Wow. So Zoey can stand?? 😉 I like your personal list of story structure the most. That one should be utilized and shared on websites and at writing confs. 🙂 I can hear you using the reading-is-learning argument to keep your Muse off your back. 🙂
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January 16, 2021 at 6:08 pm
Ha ha! Oh, man, now you have me thinking about a presentation on story structure — using the list 😀 😀 Although reading as learning would probably work with my Muse … for a while at least 😀 😀
Have a great weekend, Betsy!
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January 17, 2021 at 3:58 pm
I love the comparison, Julie. It’s enough to boggle the mind. I tend to stick with the 7 point story structure because it’s straight forward and makes sense to me based on how I naturally write. But I also take the time to see how it lines up with Save the Cat and the hero’s journey. The process rarely results in gigantic changes, but like you, I frequently do a little tweaking. Happy Writing!
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January 22, 2021 at 3:48 pm
I use the 7 plot point process as well, I think because that’s what makes the most sense to me, and that’s how my writing teacher presents story structure. I’m thinking I need to take another look at “Save the Cat”, maybe use some of those elements, too. I use more of the hero’s journey when I write fantasy (which I haven’t done for years 😮 )
Write on, Diana!
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January 22, 2021 at 4:05 pm
They all that good points to think about. 😀
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