As I was working on my WIP (yes, THAT one), I realized something. An odd/ad-libbed/spur-of-the-moment aspect of a minor character I created on-the-fly solved a problem I was having with the plot.
A big problem.
It was weird. It made me think of automatic writing, which made me think of one of my fellow authors/bloggers who has just released the last book of her Hode’s Hill series (Congratulations, Mae!) In the first book of the series, Cusp of Night, spiritualism plays a big role, and automatic writing was one facet of that whole movement. Anyway …
Holy crap. I solved one of the problems I’ve been trying to figure out by first creating a minor character I didn’t expect to have and then giving that character a part I didn’t know I needed.
See where the automatic writing comes to mind? This sort of thing happens to me on a regular basis. I work through the bigger aspects of the plot, barrel ahead with the mantra, “it’s a crappy first draft, I’ll fix it later”, agonize over the stuff I can’t figure out, then somewhere down the line a piece falls into place, and POOF, the plot becomes more solid, and the story “works”.
It’s like my Muse is doing his job, but his timing is off. Sometimes waay off. *checks for Muse, then in a stage whisper: Psst, I think he’s on a beer run.*
As fiction writers, we often have story ideas and plots in our heads. For me, the plot lines often seem pretty straightforward at first. The timelines work, the characters have appropriate motivation, and all is well in the planning stage.
Sometimes in the beginning the plot lines are more like a tangle of yarn that needs to be teased into quasi-order. It’s when things look like they’ll work that you have to keep an eye on those buggers, or they’ll start dodging around like a litter of energetic kittens.
I walk through the timeline over and over, and think I have the threads woven together in some semblance of order. Then I start the first draft.
What seemed to make sense suddenly doesn’t. And of course that realization doesn’t happen until I’m halfway or two-thirds of the way through the draft.
I think the more we read, and the more we practice storytelling and plotting and creating character arcs, the more instinctive we become as writers. I’ve been asked by people how I knew the plot wasn’t working. The only thing I can come up with is “I just knew.”
We know what works because somehow along the way we learned it, even if we haven’t taken a class or gone through workbooks or read Save the Cat or The Writer’s Journey. We can use the tools, whether beat sheets or timelines or whatever your preference, but there’s a part of us we may not be conscious of that knows what pieces and bits to add and when.
And that seems to be the way it works, at least for me. I’ll put something in a story, unplanned but it works, then way later on in the story I’ll write something and think wow, it’s a good thing I added that unplanned thing earlier because that makes this part work.
Magic. Or my Muse. Both. Bottom line, the more you practice, the more you read, the more you learn, the more those writer instincts will help you so you don’t get two-thirds of the way through the draft before you realize the story doesn’t work.
That’s my story, and I’m sticking to it 😀