It was a dark and stormy night.
It was a really dark and mega-stormy night.
It was night, and dark. And stormy.
The night was darker than an inkwell and more stormy than the Classics IV.
Ugh. Ick. (sorry not sorry for the link 😀 –I couldn’t help myself 😉 )
Wind whipped across the field, caressing the wheat into undulating waves …
Wait. Not dark enough.
Wind tore across the field, whipping at the grasses, pale waves snaking across the expanse. Lightning lit the night, flashing against angry clouds, exposing the undulating darkness boiling in the sky.
How many times do you rewrite that first line? That first page? The opening scene? If you’re like me with my Book 2 project, the count is reaching double-digits. I think I’ve hit 6 or 7 do-overs. At least.
I won’t go into the multiple reasons and ways to rewrite that first line/page/scene/chapter because there are a lot of resources about the subject, such as Noah Lukeman’s The First Five Pages. Which, by the way, is a very good book. My main struggle at this point isn’t that first line or page, it’s the opening scene. I’m still trying to get going on the 6th or 7th (8th?) run at my rough draft for Book 2, and I feel like if the opening scene isn’t working, it may be causing the sticky wicket in my brain. Or is it my story that’s in need of some adjustment sending my opening off the rails?
Have you ever started a story, and it just didn’t “feel” right? Then you restart it, and it still doesn’t feel right? And even when you change the opening and think it’s finally going to work, it still feels wonky? So you rewrite it again. And again. And it seems like nothing is falling into place, even though you’ve got a working plot roughed out.
This spring when we got together for the Writers’ Institute, my writing sisters helped me with the plot. It was great, because it “felt” a lot better than my first stab at it (no, the victim is not stabbed in this one 😉 ) I ran with that, and though I liked the revised plot more than my first go, it still seemed a bit off. And I continued to struggle with the opening.
Every year before our reunion retreat, we–my writing sisters–exchange about 20 pages for everyone to review, then at the retreat we discuss each other’s pages and offer feedback. This year I shared my entire 6th (7th?) first draft–all 20 pages of it (Don’t tell my Muse I still haven’t started the next do-over; he’s gonna lock me in my writing office every day and stare at me until I write a thousand words. 😐 And he’ll probably hide my chocolate, too!).
Again with the help of my “sisters”, I’ve got a few tweaks to the plot that should solve some of the issues my subconscious kept niggling me about. I remember thinking a few things in particular didn’t seem right, but I couldn’t figure out why. I need to listen to that niggling, because it means somewhere in the ol’ gray matter my writer’s brain is paying close attention. Sure beats a two-hour detour (no, I’m not going to tell you how I missed a turn and ignored that little voice that kept telling me I should stop and turn around).
About that opening line/scene: don’t sweat it too much until you’ve got the first draft (and maybe second draft) finished. Seriously. And even though “they” (you know, all those more experienced writers and writing teachers) say the first line (or paragraph) should give the reader a sense of WWWWH, fine-tuning it can come after you’ve got the plot holes filled, the timelines in order, and the character arcs smoothed out.
You want to drop the reader into the middle of the action or at least some sort of goings on. No waking up and looking in the mirror or weather report unless it is pertinent and not boring or cliche. Even if you open with action, it doesn’t mean that’s the right action to open with. Case in point: when I workshopped my police procedural in a novel writers’ Master Class, I had an action-packed opening scene, or so I thought. My writing instructor guided me to make it better.
I wrote a new opening scene that keeps the gist of the action, but it now gives the reader a much better sense of the main character and the flavor of the story that follows. And it feels right. Or at least more right than the first one did.
The longer you practice writing, the easier it will be to recognize when the opening just isn’t “there”, and the better you will get at fixing it. Bottom line, if something feels off or wonky with the opening, it’s probably your writer’s brain (or muse) poking at you and telling you to try it again, because what’s there isn’t working. Listen to it.
Happy Writing Weekend!